Tomaso Binga, born Bianca Pucciarelli in Menna, artist and performer, is among the most renown exponents in Italy in the field of visual and verbal poetry.

“My masculine name is meant to be ironic and unexpected, intended to expose the male privilege dominating the art. world; it's a paradoxical challenge to the superstructure we've inherited, and which as women, we aim to destroy. In art, gender, age, nationality should not be discriminated against. The Artist is not a man or a woman but a person."

Gianni Bertini was an artist who, to use the words of Lara Vinca Masini, “has traversed half a century of artistic history at a breakneck pace, like an ancient warrior (or a Japanese kamikaze) always risking everything and has used painting as a sword and as a banner.”

Nanni Balestrini was one of the main protagonists of the Italian literary and social avant-garde movements after World War II. The combination of his literary and artistic sensibility led him to approach Visual Poetry, which saw him experiment with the artistic use of collage to recombine existing texts (newspapers, magazines, political slogans) in the search for the expression of a collective statement.

The advertising works produced by Pino Pascali between 1958 and 1968 - unfortunately still little known to the greater public - have gradually won themselves a place of elevated interest and great consideration in the art world, to the extent of being defined, along with his pictorial and sculptural works, productions of indisputable taste and creative capacity.